(In the Citadel Courtyard, Cairo, at Sunset)

Like gold, from ground to minaret,
    Great Ali’s mosque is all aglow,
    As here we stand in silent row,
Beside the courtyard parapet.
Far pyramids to largeness grow
    Above the vaporous plain of Nile,
    And loftier Hasan’s pile
Lifts from the Rumèleh below.

The Kaliph-tombs beyond the mounds,
    Where stand the torn and spectral mills,
    Are silent with a hush that stills
The neighbour city’s murm’ring sounds.
With gift of glory for the hills
    Of near Mokattam, from the west,
    The sun is sinking to his rest,
And all the heaven with splendour fills.

Each living thing with wonder stands
    To see rose-red the daystar’s rim
    Pause on the far horizon dim,
Then plunge into the desert sands.
Hark! as with sound of seraphim
    Sudden the silent air is stirred,
    And floating far and wide, is heard
The blind Muëddin’s Evening hymn.

Now high, now low, the cadence falls,
    Music of streams and summer-rhymes
    Of bees that murmur in the lines,
And far-off Alpine cattle-calls,
Seem blent with bells and silver chimes,
    In mellow mystery of sound
    That floats where mountains stand around,
From cities glad at festal times.

Sweet harmonies enchant the ear,
    And grow and surge, as man to man
    Sings resonant his loud adân,
To tell the time of prayer is near.
Now fades another daylight’s span,
    ‘God is most great,’ I testify;
    ‘Attend unto Muhammad’s cry,
Ye followers of the true Korân!’

From mosque to mosque in marvellous tone
    Clear voices rang, all else was hushed;
    Like spray of sound the music gushed
From those tall fountain-heads of stone.
And still the heavens faintly flushed,
    And still the message rose and fell,
    Till over Cairo’s citadel
The first star into glory rushed.

‘God is most great, and there is none
    But God, Muhammad was God-sent!
    Come, then, to prayer and to content,
God is most great, the Only One!’
Upon the parapet we leant,
    Our souls were called to evening prayer,
    We felt the music in the air,
For more than Muslim hearts was meant.

NOTE.—The hours of prayer—Adân—are proclaimed by the Mueddins (or Muezzins) from the minarets of the mosques five times a day, at periods that mark the division of the Eastern day: (1) Magrib, a little after sunset; (2) Asha, nightfall, an hour and a half after sunset; (3) Subh, daybreak; (4) Duhr, midday; (5) Asr, afternoon, and hour and a half after sunset.

(Idylls and Lyrics of the Nile, p. 2)

Baveno

When Madre’s Island like a shadow lies
        High up upon the ‘Iron Rock’—so clear,
        Across the still grey water-flood, comes near
The phantom of the mountain—then mine eyes
Are gladdened by a tiny speck that flies
        Forth from the myrtle: now it doth appear
        A boat’s prow lantern, now a starry sphere
Fallen, but how swiftly, from the dusky skies.

I gaze perplexed; the pulses of its light
    Beat, and with noiseless beauty move and move,
        Then fade, or like a starry jewel burn
        Upon the Nereid sitting at her urn,
Anon through sparkling dusk it takes its flight,
    A creature made for wonder and for love.

(Sonnets in Switzerland and Italy, p. 56)

April 24th, 1891

Great battle-thinker, war and work is o’er,
      No more shall hill and vale and blossoming plain
    Shine as a chequer-board whereon your brain
May plan for peace thro’ victory, and no more
In thought shall cannon crown the heights and roar,
    Nor armies march and countermarch to gain
    The dread arbitrament of woe and pain,
Whereby men hold the fields they plowed of yore.

Your warfare is accomplished, you have gone
    To where men sheathe the sword and bear the palm,
      And Love leads on to fuller light and life;
      Where souls, who through Earth’s pettiness and
        strife
    Have held their strong simplicity and calm,
Hear, in the Land of Peace, Heaven’s loud “Well done!”

(Valete: Tennyson and other Memorial Poems, p. 65)

How blue above our head the sky!
    How brown below the path we tread,
    By silent carpet overspread
From sombre larches standing by!
    The berries in the hedge are red,
    On which the birds should sure have fed,
    Alas! they long ago have fled
Who feel the frost and die.

But hark! a foreign note I hear,
    Along the fell, behind the wall,
    A language I must needs recall,
Old talk made new with every year!
    O’er northern seas, thro’ sleet and squall,
    These birds have come from for festival,
    And on the coral berries fall
To keep their Christmas cheer.

With ‘tsik-tsak’ high and ‘tsik-tsak’ low—
    While perched far off their pickets stand—
    These wandering birds possess the land
Our Norseman fathers used to know.
    In voice, half quarrel, half command,
    They wrangle on, the robber band—
    Swift-wingéd Vikings from the strand
Of ice and winter snow.

I clap my hands, away they speed!
    What matters where they rest to-night,
    Beyond this vale are berries bright
And food where’er they wish to feed!
    They know no law of tenant-right,
    They only know they love the light;
    One law alone can guide their flight—
The law of Nature’s need.

Ye red-backed rangers over sea,
    Ye grey-winged rovers of the field,
    Who, from what English roses yield,
Find life from lea to lea!
    Those hearts must sure be hard and steeled
    Who have no founts of faith unsealed
    By your wild carelessness revealed,
This winter morn to me.

(Poems at Home and Abroad, pp. 74-5)

But there is love beneath the earth as well as in the heaven above.  Now the moles or, as we call them in Cumberland, the ‘moudiwarps’ bestir themselves, and as is evidenced by their earth castles build themselves homes and lairs for the expected young.  Master Squirrel awakes and visits his ‘dray’ to fall asleep again if sunshine fail the restless sprite among the fallen leaves that the February winds have driven into the hedgerow bottoms.  There is one leaf the wind still spares; it is the leaf of the beech and hornbeam hedge, and at a time when the colour of the fern is fading from the fell sides we in the Lake Country who care for colour owe large debts to the hands that here and there have fenced their garden grounds or their orchards, or fringed their roadsides with the glorious February sheen of beech. (p. 21)

I said just now that the fern had faded from the fells.  How it comes about I know not, but in February this fading of the bracken, and some change in the bleached grasses, some hint of life returning to our lower valley slopes produces the curious effect of coral pink upon our mountain sides which we see at no other time of the year.  Very purple, too, are the shales of volcanic ash throughout the month, for February with us at the Lakes is, as it is described, ‘February Fill-dyke,’ and alternate rain and sun is our portion. (pp. 21-22)

It is here where February is so rare and beautiful.  There is no month wherein such variations, not only of days but of portions of days, are so interesting.  One can never tell on a February morning, dull and grey and misty, whether at noon bright sun and cloudless blue will not be our fortune and delight.  In February the whole morning and mid-noon will at times be clouded with a doubt, but at three o’clock all clouds will pass away, and there will be known such serenity of grey-blue heaven and such glorious passing of the sun to golden rest that one might well believe we were back in September once again, or but for leafless wood and hedgerow, think summer time had come. (p. 22)

It is not only that the hours in their passing go through a magic transformation, but days and weeks are Protæan in their change.  Thus one day we wake to the sound of the thrush, and he sings us back to our fireside and our rest; we walk through twilit fields that echo to his voice, and feel that when the stars are bright among the tree tops and the owl is hooting, the balm of spring is in the air.  Then the wind changes, and we waken to a dumb dawn, to find hills whence winter had all but vanished, milk-white right down to the intaks, with all the lower slopes made ruddy and full of colour by contrast with the winter snow, and all the woods before so tenderly purple and grey, black as night.  The shepherds are not sorry, and the farmers are well content with the change.  A fair February means promise that will be unfulfilled.  They have never forgotten how the Britons of old time handed down a saying to the Welshmen of to-day,

            That they would rather see their dam on her bier
            Than a fair Februeer.

They know how the Scottish across the Border still say,

            A’ the months o’ the year
            Curse a fair Februeer.

and they by long and bitter experience have learned that if February is mild, March too often pays back her over-confidence with nipping frost and cold. (pp. 22-23)

(Months at the Lakes, pp. 18-25)